|
Leonardo By: Don Sill |
|
Here is a rock opera that's a mixture of Queen's song and The Who's "Tommy" that is well orchestrated and conducted but lacks the fire and originality that both The Who and Queen tapped into back in the 1970's. "Leonardo- The Absolute Man" is a musical that tells the story of the life and times of Leonardo DaVinci. Featuring the Instrumental talents of Jeremy Colson & Steve & Pat Reyes and also features a fairly impressive cast including Steve Walsh of Kansas, James LaBrie of Dream Theater and female soloist, Michele Young. Written by Trent Gardner, "Leonardo- The Absolute Man" not only tells about the accomplishments of DiVinci (such as painting 'The last Supper' and the 'Mona Lisa') but also tells about the man behind the genius. It tries to provide an honest look at the torment he was going through emotionally and the relationships he had with those who knew him best. This is indeed a sensational musical arrangement that blends orchestra, jazz, rock and metal to tell an elaborate and detailed story about one the most beloved historical artists to have ever graced the earth. The problem is holding the attention of it's intended audience. Some songs drag on and on and the instrumental numbers, though masterfully performed, come across more as 'elevator music' than a rock and roll opus. It may leave listeners drifting off to sleep and fail to capture this short-attention-spanned MTV generation. This album may be too sophisticated for younger teen audiences and it's heavy metal edge may not appeal to classical or opera fans. While I'm not really sure just whom this album would appeal to or who is was targeted towards; one would have to respect the talent and time that went into making this artful masterpiece. Perhaps it's before it's time, or better yet behind the times. This 'rock-opera' idea seemed so original back in the early 70's but now seems tired and has lost it's couth. This would more than likely make for a fine off-Broadway show, but as a soundtrack it falls short and lacks any catchy numbers that can hold it's own and carry on by itself.
|
More from the Online Metal Journal |
|
|
|
|